It’s Nahappan’s second consecutive participation at Venice Biennale parallel show. In 2017, she exhibited giant saga seeds at an indoor venue, but this year, her sculptures are out in the open.
“So far, everyone’s been taking a lot of photos,” she said, with a laugh. “Two years ago, (my work) was in a closed space where the impact was intense, whereas this is free and open, and it kind of draws people’s attention while they’re walking.”
